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TINGEN   Guitarist and Author   |
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Books
| M I L E S B E Y O N D
The first in-depth exploration and analysis of Miles Davis's controversial and often misunderstood electric period. |
Brochures and Web Sites
| Plus
XXX. English text translated from French. The previous Plus XXX site contained elaborate descriptions of the history and facilities of the famous Parisian recording studio, which will be uploaded soon.
Wisseloord. A 'tourist
brochure,' written for Holland's premier recording studio. Follow the image links at the top to see all 14 pages. The Road To Graceland. Tour
brochure for David Sylvian and Robert Fripp's 1993 tour. Includes biogs
of Fripp, Sylvian, and Michael Brook. |
| Pierre
Marchand. Working from a small studio in Quebec, Canada, Pierre Marchand has been responsible for some stunning production work, most notably with songsmith Sarah McLachlan.
Sound On Sound, March 2000
Tom
Waits. California Screamin'. Tom Waits is back, with Mule Variations,
his best album yet. Audio Media, February, 2000.
Michael
Brook. Having recently completed two new World Music albums, one
for Indian electric mandolin player U. Srinivas, the other with legendary
Pakistani Qawwali singer Nusrat Fateh Ali Khan, Canadian producer/guitarist
Michael Brook never wanted to confront music technology ever again! Sound
on Sound, July 1995
Bitches Brew. Miles Davis' Bitches Brew was a pivotal event in modern music.
Now the sessions surrounding these recordings are revisited, and previously
unavailable material added to create a four-CD boxed set. Audio Media UK,
May 1999.
Bill
Laswell. Tampering with recordings made by a musical legend like
Miles Davis would be seen by many as tantamount to sacrilege. But what
if you believed, like producer Bill Laswell, that the music in question
had never been heard as it should be? Sounds On Sound, May 1998
Marcus
Miller. Few people can truly be said to be multi-talented, but jazz
and soul legend Marcus Miller is undoubtedly one of them. Sound On Sound,
June 1999
David
Sylvian. Despite having spent more than 15 years in the public eye,
David Sylvian remains an enigmatic figure who has reinvented his own musical
style constantly, both within his solo work and in his collaborations with
musicians as diverse as Holger Czukay and Robert Fripp. Sound On Sound,
June 1994.
Khaled.
For millions of people worldwide, rai musician Khaled is not just an artist,
he's a phenomenon. Sound on Sound October 1997. Extra: Longer,
pre-edit version of same article.
Hector
Zazou. French musician Hector Zazou's quest for sounds and songs with
a difference took him North, to find ethnic drumming from Siberia, joik
chanting from Lapland, and the disappearing folk music of the world's Northern
tribes -- which he combined with contributions from himself and world-famous
artists, to create a unique musical experience. Sound on Sound, June 1995.
Doug Sax of Mastering Lab. The modest man of 'yestertech' at his Mastering Lab, Los Angeles. Audio Media, May 1999. Ry Cooder and Ali Farka Toure. Ry Cooder and Ali Farka Toure might live thousands of miles apart, but their duet album Talking Timbuktu shows that, creatively, they're close neighbours. The Guitar Magazine, August 1995. Suzanne Vega and Mitchell Froom. For her album 99.9Fº Suzanne Vega wanted a producer prepared to radically change her sound and provide a new direction; Mitchell Froom was the man she chose. Recording Musician, January 1992.
Underworld. How can an electronic band produce exciting, spontaneous, unpredictable and visually engaging perfomances? And if they do, is it really possible to capture the experience of being there in a recording? Rick Smith and Karl Hyde of Underworld believe they have the answers... Sound on Sound, December 2000.
Joe Zawinul. Joe Zawinul is perhaps the best-known and most influential keyboardist in jazz. He pioneered the use of electric keyboards and synths with Weather Report, and at 70 he's still at the peak of his powers. Sound on Sound, June 2003.
Steely Dan. When Steely Dan ended a 20-year hiatus with 2000's Two Against Nature, they took full advantage of today's digital recording tools. For their new album Everything Must Go, however, they've returned to analogue tape and live band recording. Sound on Sound, August 2003.
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Still to come (including some interview audio excerpts):
Ryuichi Sakamoto, Music Technology, August 1987 Peter Green. Longer, pre-edit version of article that originally appeared in Musician magazine.
Martin Simpson, The Guitar Magazine, December 1994.
Jethro Tull, The Guitar Magazine, November 1995.
Robert Fripp, The Guitar Magazine, June 1993.
Chet Atkins & Mark Knopfler, The Guitar Magazine, October 1994.
Martin Simpson, The Guitar Magazine, April 1994.
Pierre Bensusan, The Guitar Magazine, April 1994.
Artikel over wachten en achtzaamheid, Algemeen Dagblad.
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All articles ©1987-2007 Paul Tingen. All rights reserved. The articles on this page are subject to worldwide copyright protection. Reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of Paul Tingen, and if the article has been published and is currently posted on the publisher's web site, also of the publisher.